[I889.Ebook] Download Early Theories of Translation (Classic Reprint), by Flora Ross Amos

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Excerpt from Early Theories of Translation

In the following pages I have attempted to trace certain developments in the theory of translation as it has been formulated by English writers. I have confined myself, of necessity, to such opinions as have been put into words, and avoided making use of deductions from practice other than a few obvious and generally accepted conclusions. The procedure involves, of course, the omission of some important elements in the history of the theory of translation, in that it ignores the discrepancies between precept and practice, and the influence which practice has exerted upon theory; on the other hand, however, it confines a subject, otherwise impossibly large, within measurable limits. The chief emphasis has been laid upon the sixteenth century, the period of the most enthusiastic experimentation, when, though it was still possible for the translator to rest in the comfortable medieval conception of his art, the New Learning was offering new problems and new ideals to every man who shared in the intellectual awakening of his time. In the matter of theory, however, the age was one of beginnings, of suggestions, rather than of finished, definitive results; even by the end of the century there were still translators who had not yet appreciated the immense difference between medieval and modern standards of translation. To understand their position, then, it is necessary to consider both the preceding period, with its incidental, half-unconscious comment, and the seventeenth and eighteenth centuries, with their systematized, unified contribution.

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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

• Published on: 2016-06-23
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .44" w x 5.98" l, .62 pounds
• Binding: Paperback
• 210 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
veryd good book
By Emilia bonati
The book is very interesting and it shows different aspects of translation. It is also to read with very clear concepts

0 of 0 people found the following review helpful.
I highly recommend it.
By Frederick G. Widdowson
This was a very helpful reference work that led me to other sources of information. I highly recommend it.

0 of 0 people found the following review helpful.
Five Stars
By Jeremy Brunson
it's a book

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[N783.Ebook] PDF Ebook The Hummingbird/El Colibri: The World's Smallest Bird/El Pajaro Mas Pequeno del Mundo (Campeones del Mundo Animal), by Joy Paige

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Book by Paige, Joy

• Sales Rank: #4578906 in Books
• Brand: Brand: Rosen Publishing Group
• Published on: 2003-01
• Original language: Spanish
• Number of items: 1
• Dimensions: .30" h x 6.28" w x 9.42" l,
• Binding: Library Binding
• 24 pages

Features

• Used Book in Good Condition

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[I949.Ebook] Download Cezanne and the Apple Boy (Anholt's Artists), by Laurence Anholt

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This brand-new title in Laurence Anholt’s beautifully illustrated children’s series of stories about famous artists recounts a wonderful adventure experienced by Paul, a little boy who is named after his father, Paul C�zanne. The elder C�zanne had been away from home for so long that the boy has difficulty recognizing his father when he joins him on a painting expedition in the mountains of southern France. They quickly become fast friends, and the artist takes great pleasure in painting a portrait of his apple-cheeked son. Most of his paintings, however, are landscapes of the mountain country where they are camping, although the people who live nearby often laugh at the artist’s pictures, which they think are poor. But young Paul admires his father’s work―and he is not alone. A picture dealer from Paris happens to be in the region, and when he sees C�zanne’s paintings, he thinks they are wonderful. Before long, C�zanne becomes famous and wealthy. The story, enhanced with Laurence Anholt’s illustrations on every page, include several that are reproductions of C�zanne’s famous paintings.

• Sales Rank: #312490 in Books
• Brand: Barron's Educational Series
• Model: FBA-290819
• Published on: 2009-10-01
• Original language: English
• Number of items: 1
• Dimensions: 12.25" h x 9.75" w x .50" l, .94 pounds
• Binding: Hardcover
• 32 pages

From School Library Journal
Grade 1–4—This addition to Anholt's series about famous artists features Paul C�zanne, the post-impressionist considered by some to be the father of cubism. It relates a fictional episode in the painter's life, a summer in which his son visits and (along with readers) comes to see his father's life as a struggling innovator. As luck would have it, it is this same summer that a visiting art dealer is taken with C�zanne's originality, thus marking the beginning of his success as a painter. The narrative flows naturally and deals with some difficult issues—the painter's phobia about being touched, his estrangement from his family, and the disregard for his efforts—in an age-appropriate and sensitive fashion, though attentive readers may find more questions than answers. Anholt's charming watercolor and pen illustrations re-create a time and place that will be unfamiliar to most readers and feature homages to C�zanne's most famous works. Most important, the title coveys the idea that artists are real people fulfilling a purpose that may not be understood in the context of their everyday lives.—Lisa Egly Lehmuller, St. Patrick's Catholic School, Charlotte, NC
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Part of the Anholt’s Artists series, this charming introduction to Paul C�zanne highlights the artist’s relationship with his son, who visits his father in southern France after a long separation. The intimate, sympathetic text shows the developing warmth between parent and child, while revealing C�zanne’s shyness, insecurities, and artistic motivations. An appended biography adds factual context to the fictional story. Evocative, realistic illustrations mix with reproductions of C�zanne works and, along with the young character, will draw kids into this enjoyable, informative portrayal of C�zanne as both a father and an influential artist. Grades 1-3. --Shelle Rosenfeld

Review
“The narrative flows naturally and deals with some difficult issues. . . in an age-appropriate and sensitive fashion. . . . Anholt’s charming watercolor and pen illustrations re-create a time and place that will be unfamiliar to most [young] readers . . . . Most important, the title conveys the idea that artists are real people fulfilling a purpose that may not be understood in the context of their everyday lives.” ―School Library Journal


“. . . this charming introduction to Paul Cezanne highlights the artist’s relationship with his son. . . . Evocative, realistic illustrations mix with reproductions of Cezanne’s works and. . . will draw kids into this enjoyable, informative portrayal of Cezanne as both a father and an influential artist.” ―Booklist

“In this solid addition to Anholt’s Artists series, Paul C�zanne invites his son to visit him in the countryside. Steeped in metaphor (mountain and apple themes recur), Anholt’s dialogue-driven narrative successfully reveals the painter’s eccentricities and his bond with his son. The book’s layered illustrations include reproductions of C�zanne’s paintings incorporated into Anholt’s watercolors, many of which feature the Provence landscapes so prominent in the painter’s work. Anholt gives several nods to C�zanne masterpieces, as when father and son sit on a ledge overlooking the panorama depicted in Mont Sainte-Victoire and two men in a cafe mimic the subjects of The Card Players.”


―Publisher’s Weekly, November 2009

Most helpful customer reviews

5 of 6 people found the following review helpful.
Especially for children ages 4-7
By Midwest Book Review
"Cezanne and the Apple Boy" is a new title in Laurence Anholt's children's series about famous artists. Paul, the artist's son, is the apple boy, who goes to visit his father where he paints on a mountainside. Although people scoff at the paintings of Paul Cezanne, his son believes in him. He tells an art critic named Vollard to be careful with his father's paintings because he has invented a new style of painting. In time this opinion is validated by Mr. Vollard and the rest of the world. Through his son's belief in him and his own artistic efforts, the painter Paul Cezanne achieves financial success and is able to live quietly and frugally on his earnings, continuing to paint his beloved scenes and studies. "Cezanne and the Apple Boy" is very sensitively written and contains a number of small reproductions of some of Cezanne's famous paintings. "Cezanne and the Apple Boy" is especially for children ages 4-7.

2 of 2 people found the following review helpful.
Great book for Imagination and Art history
By Roy C. Kinsey IV
This book will inspire your children both with imagination and art history. The stories will captivate your children for many a bedtime reading. Plus you will enjoy the pictures in the book.

1 of 1 people found the following review helpful.
The Anholt's Artists series is highly recommended for young children
By Z Hayes
I've been introducing my seven-year-old daughter to some of the world's great artists through picture books and art books, and have found Anholt's Artists series to be informative and inspiring. In Cezanne and the Apple Boy, a young boy goes off to the mountains to visit his father, the French artist and post-Impressionist painter, Paul Cezanne. Cezanne Sr. is viewed as a sort of wild mountain man, a big, hulking person viewed with suspicion by the locals. It is only later that the painter's works find an audience, and he becomes famous.

The story is beautifully told, in a narrative style that appeals to young children, ages 4-8. I highly recommend the Anholt's Artists series as a wonderful way to introduce young children to the world's great artists.

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Mackenzie’s father always warned her that she needed to keep the pool clean. The sexy, spoiled college girl isn't used to being out of control, no matter how far her parties can go. When your world consists of both humans and fantasy beasts, parties can rage long into the night, after all!

Still, she probably should have checked to be sure that none of her magical guests left anything behind. Because something is lurking in the pool, and it's full of eggs.

Mackenzie may soon find herself also stuffed to capacity...

A slippery short story featuring a horny tentacle monster and the woman who can barely contain it. Intended for adults only!

• Sales Rank: #681118 in eBooks
• Published on: 2015-08-20
• Released on: 2015-08-20
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
fun read. I don't know what weird tech trouble ...
By John Riley
A quick, fun read. I don't know what weird tech trouble the other guy was having, but I enjoyed the story just fine.

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Bad
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Could not delete off kindle but kept on trying but still don't get book if you don't know how to delete
So just don't get it

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[V935.Ebook] Ebook Download Bryson's Dictionary: for Writers and Editors

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Bryson's Dictionary: for Writers and Editors

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• Sales Rank: #5661063 in Books
• Published on: 1600
• Binding: Paperback

Most helpful customer reviews

92 of 99 people found the following review helpful.
Title should be "... for NEWS Writers and Editors"
By Roy Speed
With a different title I would have given this book five stars, and I would highly recommend it for newsrooms.

But the majority of the world's writers and editors do not work in newsrooms. They do not write news articles. They write web pages or annual reports for corporations or books on software or educational materials or white papers on technical topics or corporate policy statements or publicity pieces -- or a thousand other kinds of writing, often with audiences just as large as a newspaper's circulation.

The problem with this book, in other words, is not the quality of its entries, but their selection. The book has lots of help for accurate spelling of proper names, but surprisingly little help with topics that today are either ubiquitous or ubiquitous for large swaths of society.

Under "E," for example, you will find an entry for "Elliot, Denholm" with the correct spelling of that actor's name. But you won't find an entry on "email" discussing whether the preferred spelling is hyphenated ("e-mail"). Nor will you find any guidance on "e-commerce" (or eCommerce or E-commerce or any of a number of other variants). You will (thank goodness?) find the correct spelling of "Edgware Road," the London street and Underground station.

Under "H" you will find the correct spellings of Harper's Bazaar, Harpers Ferry, Harper's Magazine and Hartsfield-Jackson (note the hyphen!) Atlanta International Airport. What you won't find is any discussion of the compound "health care" and whether it should ever be written as a solid (as in "universal healthcare").

Also under "H" you will find the correct spellings of Hindu Kush (the Afghan mountain range), Hippocrates (ancient Greek physician), and Al Hirschfield (the American caricaturist). But you won't find a reminder that the correct acronym for the landmark 1996 legislation (provisions of which affect every U.S. hospital, medical facility, health plan, and pharmaceutical company) is HIPAA, not HIPPA (which is how it's pronounced), because the full name of that legislation is the "Health Insurance Portability and Accountability Act."

Bottom line: This is not a bad book; it's just a book primarily for newspeople. It should have been promoted as such.

The two stars (rather than none) is for the fact that there are lots of entries that are actually useful (equable vs. equitable; precipitant, precipitate, and precipitous; stanch vs. staunch), and for the most part they are very clearly written. And when an entry calls for advice -- see, for example, the entry on "hopefully" -- Bryson's taste and judgment are sound.

0 of 0 people found the following review helpful.
Bryson's engine
By Joe Fontenot
If you're a fan of Bill Bryson's wit and humor, then you might be disappointed. This is a reference book. And it's a good one. Which, to me, means it's useful, and in this case, dry is good.

But if I have to read reference book, I want it to be written by Bill Bryson. Bryson is a master writer. This book reflects that.

2 of 3 people found the following review helpful.
Bryson rides again!
By Daisy M
This book is FUN and so helpful. Keep it by my bed and read a few pages before falling asleep. I keep learning more wonderful and unique facts about language, about life, about so many things. Try it. You'll love it!

May D

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