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At last, the brilliant successor to Hammett and Chandler in a definitive collector’s edition: Revered by such contemporary masters as Sue Grafton, George Pelecanos, and James Ellroy, Ross Macdonald (the pseudonym of Kenneth Millar) brought to the crime novel new levels of social realism and psychological depth, while honing a unique gift for intricately involving mystery narratives. For his centennial year, The Library of America inaugurates its Macdonald edition with four novels from the 1950s, all featuring his incomparable protagonist, private investigator Lew Archer. Here are The Way Some People Die, a twisted journey through Los Angeles high and low, The Barbarous Coast, an exploration of crime and corruption in the movie business, The Doomsters, a breakthrough novel of madness and self-destruction, and The Galton Case, the mythically charged and deeply personal book that Macdonald considered a turning point in his career. As a special feature, this volume also includes five pieces in which Macdonald reveals the autobiographical background of his books and describes his distinctive approach to crime writing.
- Sales Rank: #64400 in Books
- Brand: Library of America
- Published on: 2015-04-28
- Released on: 2015-04-28
- Original language: English
- Number of items: 1
- Dimensions: 8.16" h x 1.24" w x 5.11" l, 1.00 pounds
- Binding: Hardcover
- 900 pages
- Library of America
About the Author
TOM NOLAN has been a freelance writer for many publications (including Rolling Stone, The Village Voice, The New York Times Book Review, and Oxford American) since age 18—and a Ross Macdonald reader since age 11. He is the author of Ross Macdonald: A Biography (1999) and editor of Ross Macdonald’s The Archer Files (2007). He is also the author of Artie Shaw, King of the Clarinet (reissued 2011) and has been crime fiction reviewer for The Wall Street Journal since 1990. He lives in Burbank, California.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Mastery -- better than most genre fiction
By Michael A. Willhoite
As something of a literary snob (not something I'm especially proud of), I tend to shy away from detective novels, saving them for vacations and travel or as a relief from reading history, my special interest. But when the Library of America gives its imprimatur, attention must be paid. I've only read the first of the four novels in this volume, and am eager to read the others. I'd never read Ross Macdonald before, and his work is a revelation. He was truly an American original, maybe even better than Raymond Chandler. I also ordered its companion volume, and expect it to be just as compulsively readable.
38 of 38 people found the following review helpful.
Psychopathology moves to Suburbia -- Four Ross Macdonald Novels of the 1950s ~
By Allen Smalling
The Canadian-American author born Kenneth Millar spent most of his career writing as Ross Macdonald (not to be confused with suspense writer John D. MacDonald) and most of his novels were told through the eyes of Lew Archer, a detective with whom Macdonald would become as closely identified as Danshiell Hammett with Sam Spade or Mickey Spillane with Mike Hammer. While Macdonald's considerable output drew admiration from authors as disparate as Eudora Welty and William Goldman, comparisons are more closely drawn to Raymond Chandler's Philip Marlowe due to the author's pithy, "hardboiled" detective writing style and greater psychological nuance.
Despite Ross Macdonald's over forty novels, and despite several of them having been made into successful motion pictures in the 1960s such as HARPER starring Paul Newman, his reputation has waxed and waned. This may be because Macdonald eschewed the gritty big cities of Los Angeles and San Francisco where previous California detective writers had set their stories in favor of smaller, frequently pseudonymous locales, such as "Pacific Point" for La Jolla, or "Santa Teresa" (Santa Barbara). It would be a mistake, though, to assume that because Macdonald's novels take place in a more pleasant, suburban locale, that they lack depth. Natonal Public Radio, in a piece originally aired April 21, 2015 and entitled "Revisiting a Suburbia-Gone-Sour" mentioned the thematic influence Macdonald's novels have had on authors such as John Cheever, Tom Perrotta, and even the early seasons of television's MAD MEN. Other critics have commented favorably on the psychological depth of Macdonald's characters and the fact that his novels are a skillful blend of the "whodunit" and the psychological thriller. As such, his plot resolutions depend as much on insight into the characters (and their families) who serve as his clients as much as logic.
The Library of America has done the reading world a big favor with yesterday's publication of four Ross Macdonald novels: THE WAY SOME PEOPLE DIE, THE BARBAROUS COAST, THE DOOMSTERS, and THE GALTON CASE represent MacDonald's finest, though some aficionados might have wished that the theme had been stretched to 1961 to include THE WYCHERLY WOMAN. The generous (900-page) volume also includes some of Macdonald's nonfiction writings and a generous appraisal by editor Tom Nolan. While LoA volumes of this kind tend to feature thinnish paper and smallish type, this new volume is a fine bargain, especially in hardbound issue. It is also happy that the Library of America, in this publication, has put its imprimatur upon Ross Macdonald as a "serious" American writer. While this new issue may not greatly boost Ross Macdonald's readership or literary reputation (one thinks of LoA's two-volume treatment of Dawn Powell nearly fifteen years ago, which did neither), it is greatly welcome. Not just fans but newcomers too would do well to pick up FOUR NOVELS OF THE 1950s at this compelling price.
1 of 1 people found the following review helpful.
Please don't confuse Ross Macdonald with John Macdonald who also wrote detective novels which are good but not quite on the same
By carl3989
Raymond Chandler has passed the detective novel baton to Ross Macdonald. If he hadn't chosen crime fiction and detective stories, his writing would be considered right up there with the greats such as Falkner and Hemingway. Critics seem to look down at the detective genre but Macdonald's style is as well thought out as any of the greats. Please don't confuse Ross Macdonald with John Macdonald who also wrote detective novels which are good but not quite on the same level as Ross. Finally, to have an American Classic book in your hands with its legible typeface and book marker string makes the whole experience is a pleasure.
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